First Concert of the Kimberley 2022 Fall Jazz and Blues series

Posted on 2022-10-06 by Rod Wilson

WIL & Heather Gemmell – Centre 64 Gallery and Stage 64 performing space. 8:00 pm, Friday, September 30, 2022. This is the first show of the fall Jazz and Blues Concert Series. The featured act was the Indie Folk-rock duo WIL from Calgary.

The evening’s entertainment was kicked off by Heather Gemmell in the gallery. Over the years this local performer continues to musically grow and develop. At the beginning of her musical career, she was a singer / guitar player in a kind of folksy mold. She morphed into a “Blues Babe”, “Rocker Chick” (with a full-on electric guitar band), “Country Girl” (in the acoustic Rosie Brown Band), “Singer Songwriter” and, now in this instance, to a rootsy banjo playing solo act. Her acoustic set of vocals, original songs and clawhammer banjo tunes was a perfect fit for the gallery.

In Studio 64 WIL, William Mimnaugh on acoustic guitar and vocals was accompanied by drummer Keith Gallant though the two sets that rocked the house though out the evening.

The organizing committee of the Kimberley Arts Council would like to thank the volunteers and the sponsor Overtime Beer Works for another successful concert.

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Heritage Lounge Song Writers Circle

Posted on 2018-12-17 by Rod Wilson

Get a bunch of musicians together in a room, on a bus, on a train or around a camp fire it is almost inevitable that at some time during the day, the evening or night a song circle will happen. It’s just a natural way to share songs, tunes, new compositions and strut one’s musical chops. It provides an intimate atmosphere for everyone to enjoy and appreciate the music. The usual song circle happening is somewhat spontaneous and not meant to be taken as a professional performance. But, having said that, why not? Why should only musicians have all the fun? So that was the premise of the Song Writers Circle at the Heritage Inn Lounge on Friday December7, 2018. So, with that in mind a group of musicians from a variety of back grounds came together to share their latest offerings with each other before and an appreciative audience. James Neve (song writer and classic folk/rock musician) stepped away from his band The Choice to host the evening and kick off the night with a little social commentary in his song Joe Hill. If I remember correctly Joe Hill was a Swedish immigrant to the USA in the first half of the last century and was a major organizer of the Industrial Workers of the World (The IWW, other wise known as Wobbolies). Joe came to untimely end when he was executed on November 19, 1915 in Salt Lake City Utah on charges of murder. World War I was in full swing, if that’s the right word, and at the time labor unrest was sweeping the world. Capitalist societies were running scared so it is easy to believe that the authorities manufactured a trumped up charge followed by a swift execution to get the likes of Joe Hill out of sight and out of mind. Doug Mitchell is a former educator with a tendency towards songs of social commentary. His first offering of the evening was Laughter of the Heart. Heather Gemmell is an attractive young woman with a back ground in hard rock / blues and mellow Blue Grass pickings on guitar, banjo and dobro. As an employee of the City of Cranbrook she has some responsibility for the maintenance of the the city’s parks and cemetery and that may have been the inspiration for her songs Ghost Town and Resting Place. I haven’t heard Heather perform for a while and for me her guitar picking seems to be going from strength to strength.Tim Ross, for the want of a better description, is an old style cowboy who has been known to rock out in the band The Bison Brothers. He is a singer/songwriter/guitar slinger who hails from Wycliffe. His day job as a natural resources consultant, which translates to “cowboy with a degree”, grants him the privilege of riding the range and making a living in the saddle. He also ranches, raising grass-finished beef. His songwriting influences range from rock n’ roll and blues to rockabilly and cowboy songs. Naturally, as a working cowboy, his song Worktime resonates with his life experiences. Darin Welch is a singer songwriter in the classic Bob Dylan / John Prine tradition and to complete the first round of the circle he offered Transition City.

Round and round the circle went with more songs of social commentary, humor, nostalgia and life experiences. Songs included were I Will Never Know, A Night for Holding on, Seek the Light of Day, Please Take the Wheel (James Neve); Open Happiness – Open up a Coke, Get Use To It, Prairie Oysters, Wish I was Hung Like My Brother Dale (Doug Mitchell); Mountain Home, Kill Them Twice, One Light Sound (Heather Gemmell); Time Flies – When you are Bummed Out Too, Limousine, The Light in Your Eyes, My Baby Won’t Ride in My Truck No More (Tim Ross); A Matter of Time, Wilderness, Sparrow, Pretty Water (Darin Welch). They collectively finished up the evening with group versions of Ry Cooder’s No Banker Left Behind led by Doug Mitchell; Neil Young’s, Heart of Gold, led by James Neve; Rocking in the Free World, led By Tim Ross and finally Bob Dylan’s Wagon Wheels led by Darin Welch. It was a wonderful night of music and one I hope will be repeated again in the near future. Here are more images from the evening:

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Summer Sounds: Heather Gemmel and Lindsay Cuff

Posted on 2016-07-20 by Rod Wilson

Summer Sounds: Heather Gemmel and Lindsay Cuff, at Cranbrook Rotary Park, Saturday July 9, 2016

A luthier friend of mine described BlueGrass Music as “Heavy Metal on acoustic instruments”. I think there is some truth in that but it needn’t be so. There are BlueGrass musicians out there that look forward to new musical adventures, Bela Fleck immediately comes to mind, and musicians that look back to the origins of the music. The latter group are digging deep into the mother lode of the early traditions that inspired the original BlueGrass musicians. Lindsay Cuff (Fiddle, Clawhammer Banjo, guitar and vocals) and Heather Gemmel (Guitar, Banjo, Dobro and Vocals) is a new duo on the local scene dipping into the early traditions. Heather has been ever present on the local music scene for years as a blues/rock/BlueGrass advocate. Lindsay is relatively new on the scene. The duo is so new that they have not yet settled on a name. Following some on stage chatter during tunes Lindsay was ruminating on the “the bump in the middle” (her pregnancy) and was wondering how that was going to effect her banjo playing. The duo is looking for a name and my vote is for Bump in the Middle. I doubt that there is another band out there with that name and they have a ready made back story for whenever a question should arise about the band’s name. The duo was the second act in Summer Sounds first concert of the season and they stepped out of the gate with some laid back material that included Lindsay’s original I Hear You Coming and a sampling of old time tunes like I Wish I was a Mole in the Ground. The mix of the melodic fiddle over the rhythm of the clawhammer banjo allowed for a lot of nice space in the music. We often forget that in music the space between the notes is as important as the notes played. In the pursuit of over the top virtuosity musicians sometimes forget that. So, “as the sun set in the west” the dulcet sounds of this duo added a pleasant ambience to the afternoon / evening concert. I am looking forward to hearing more of this duo in the coming days.

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Spring into BlueGrass – a Fisher Peak Performing Artists Presentation

Posted on 2015-04-04 by Rod Wilson

This is the third event that the Fisher Peak Performing Artists (FPPA) have presented at The Royal Alexandra Hall. The kick off concert late last year featured the Little Jazz Orchestra and the roots group Joshua Burning. The second event was a St. Valentine’s Day Dance with the rock band The Testers. For this third event the focus was on the BlueGrass and Old Timey music of RedGirl and The Rosie Brown Band.

As described by FPPF’s President James Neve: “RedGirl is a lighter shade of bluegrass with some visible folk roots showing. Bringing original and traditional tunes to a canvas colored with clawhammer banjo & mandolin, liberal strokes of guitar, and framed in a rich tapestry of harmony. RedGirl is one of several great local groups to grow from the ashes of the much-loved Kootenay band As The Crow Flies. Fronted by the clear and fearless vocals of Anie Hepher, RedGirl’s music is built around her pure and unfettered voice, rhythmic banjo, and occasionally, a sassy ukulele. Michael Hepher (married to the girl) chimes in on mandolin and backing vocals, bringing a balance in harmony, humor and musical creativity to the songs and stories of the band. Rounding out the sound is Cranbrook’s very own Keith Larsen on guitar and dobro; a gravelly edge with magical licks, dancing around the edges of the songs, playing counterpoint to Michael’s moody mandolin. Swooping in from Creston, Karl Sommerfeldt’s fiddle is the glue that binds it all together, wraps it up for you and sends you home with a shiny new smile on your face.”. Also Steve Jones is back in town to give the band’s bottom that solid foundation that everybody appreciates. “More than just the music, RedGirl brings decades of experience to their stage-craft with a lively, off-the-cuff banter that tells the stories of small town living and heartfelt true-life joys and sorrows. Their sound is more than just the sound of tunes from your grandpa’s kitchen, it’s the sound of the Kootenay hills and rivers and hearts all beating in one harmonious song.” http://www.redgirlmusic.com/ Here are some images from RedGirl’s performance:

Also described by FPPF’ President James Neve: “The Rosie Brown Band is a unique, fun and rewarding listen This is a five piece Bluegrass/Folk ensemble featuring Paige Lennox, (Banjo, Vocals, occasional Bass) Cosima Wells, (Guitar, Vocals ) Janice Nicoli,(Upright Bass, Vocals) Shawna Plant (Mandolin, Vocals) and Heather Gemmell (Dobro, Guitar, Vocals), with a wonderful blend of five charming voices featuring classic old timey music, BlueGrass and original tunes. Recently they were showcased at the Calgary Stampede and this performance at the Royal Alexandra Hall will see the official release of their first album.” Here are some images from the show:

This was a great concert and we should all thank the FPPA society Board of Directors – Jamie Neve, Ferdy Belland, Louie Cupello, Randy Tapp, Janice Sommerfeld; and all the volunteers including: Allan and Jackie Kimmel, Bill and Lori Renwick, Dave and Trudy Prinn, Murray and May Andrich (“The M&Ms”), Hellen Boon, Jean Neve, Beverlee Bullough, Tom Bungay and Rod Wilson (photography).

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WINTERSONG at The Driftwood Concert House

Posted on 2013-12-01 by Rod Wilson

The question is often asked. Why do they do it? In most instances it is not for fame, fortune and/or fringe benefits. The answer is very simple. Painters paint, writers write, musicians compose and perform for no other reason than they just have to. It is just the nature of the artistic beast. They are not complete until they follow their compulsions. This somewhat self indulgent approach is one that we should be thankful for, particularly when, in this instance, there is such a positive outcome. Four singer / songwriters of The Kootenay Singer-Song Writers Circle got together to raise funds for the Red Cross Disaster Relief Fund by performing a concert of their original music at the Driftwood Concert house in Kimberley. The musicians included (the nice looking) Heather Gemmell, (the youthful) Clayton Parsons, (the wisdom of the ages) James Neve, and (the mature) Darin Welch. The venue was, of course, the Driftwood Concert House operated by Jen and Darin Welch on this their first year anniversary of presenting sustainable music programs for both musicians and patrons. The format of the evening was basically a traditional singing circle with each musician performing a piece before passing the “torch” onto the next performer. Yours truly, Rod Wilson, was the MC. Darin Welch kicked off the night with Simple City, followed by James Neve’s Blue Girl, Clayton Parson’s Everybody Knows my Name and Heather Gemmell’s global warming song. Through out the evening, five times around the circle, with a grand finale group rendition of Wagon Wheels, the only non-original song of the evening. The list of original songs performed included Pretty Water, Wilderness, The Last Wild Wolves (by Darin Welch); Please Take the Wheel, Candle by the Window, Come on Back to My Love, Passing Through Your Heart (by James Neve); Midnight Moon, Going on Down, September Sunday, Stay (by Clayton Parsons); and the outstanding instrumental The Tap Song (by Heather Gemmell). It was a night of memorable music in a perfectly intimate venue with superb light and sound and a very receptive and respectful audience. I know Darin likes to bring into town great touring performers for this venue but without a doubt this particular evening proved that local performers are more than a match for the imports. Well done guys – you raised over $400 for the Phillipines and with matching government funding that puts us well on the road to $1,000.

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Heather Gemmell Band at Summersounds

Posted on 2013-08-04 by Rod Wilson

SATURDAY JULY 27, 2013, 12pm at Rotary Park (Cranbrook) SummerSounds featured THE HEATHER GEMMELL BAND.

Heather Gemmell – guitar and Vocals; Podier Atto – Drums; Brian Noer – Bass

What can one say? Every time this young lady steps on the stage she just gets better and better. Currently Heather and her band mates have begun the recording of a new CD and, I am sure the final product is something to look forward to. For this afternoon in the sun the band stepped through some of her originals (such as Bluesville, Lowball, Ready for Love, Change Me and The Heat) as well as some new tunes and also some covers such as the Beatles epic Come Together with its magnificent bass line. Here are some images from the afternoon (click for a larger view).

The organizers of Summersounds would like to thank the sponsors of the event: Columbia Recycling, Kootenay Gradall, South Sierra Developments, Salvador Redi-Mix, Tundra Steel, Freightliner, White Oak Valley Contracting, BCGEU, Rocky Mountain Diesel, AquaPro Drilling, Cranbrook Farmer’s Market, Cranbrook District Arts Council, Cranbrook Rotary, Fiorentino Brothers and HD Kootenays.

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The Rosie Brown Band at BJ’s Creekside Pub

Posted on 2013-06-26 by Rod Wilson

New Menu + New Band = Packed House, The Rosie Brown Band at BJ’s Creekside Pub, Saturday June 22, 2013, 7:30pm.

This was a much anticipated event. Of course it was much anticipated – the band had wetted audience appetites with a couple of preview performances at local coffee houses. This lovely group of ladies are well known musicians on the local scene and their coming together in this unique configuration was just so, so, right. The banjo player Paige Lennox had moved to the area a few years back with the burning ambition to play in a Bluegrass band. That did happen for a while but the whole band thing kind of fell apart. Paige faded from the scene slightly for a while until the flame was re-ignited with the purchase of a new banjo and a trip to the Bluegrass camps at Sorrento (BlueGrass Camp). In fact the Sorrento workshops can be held responsible for moving other members of the Rosie Brown Band in the same direction. Singer and mandolin player Shauna Plant was a founding member of the well known East Kootenay Band As the Crow Flies. She also has spent time at Sorrento. On the other hand and in another band, Heather Gemmell is best known for her for blues inflected guitar playing as a soloist and with the blues/rock outfit Heather Gemmell and the Peaks. She has recently acquired a dobro and has also spent time in Sorrento honing her bluegrass chops. Cosima Wells is best known for her vocal work with any number of vocal groups around the area. She also plays guitar and has also spent time at Sorrento. Last, but not least is the anchor of the group, Janice Nicli. Janice plays upright bass in this band but has been known to play electric funk bass with Billy Jive’s bands. She is also the Jazz bass player in The Little Jazz Orchestra. There you have it. Five fine ladies with a great stack of songs, great vocal harmonies, stage presence and obviously having the time of their lives on stage. So what more could anybody ask? The pub was packed way before the music started. In fact some patrons showed up at 5:30 to ensure that they could get a table. By 7:30 people were being turned away at the door. From then on, as Cosima would say, the band and the audience were “pumped”. This was not the usual Bluegrass band. The emphasis was on the vocals with some tasty banjo, dobro and mandolin solos sprinkled though out the performance. Manic, testosterone driven instrumental breaks were absent and that was a good thing. The repertoire was also a slight step away from the usual with Michel Shocked Blackberry Blossom, Cosima’s original tune Blood From a Stone, the Earl Scruggs and Lester Flatt’s ballad Rough and Rocky, Heather Gemmell’s reworking of An Angel from Montgomery, an acapella version of Coal War, the Carter Family song Bury me under the Weeping Willow Tree, some Stephen Foster tunes, and Janice Nicli’s standout rendition of the John Prine comedic masterpiece Let’s Talk Dirty in Hawaiian.The audience refused to let the band go and they were forced to recap their first set. It was an absolutely outstanding night of music and bodes well for the band’s future. If Calgary can weather the current flood situation and get things back on track The Rosie Brown Band will be performing at this year’s Calgary Stampede Showcase – good luck ladies. Here are some more images from the evening (click on the images for a larger view).

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Live music at BJ’s Creekside Pub

Posted on 2013-03-20 by Rod Wilson

Jon Bisset hosting an Open Mic Session , Saturday March 2, 2013,7:30 pm at BJ’s Creekside Pub, Kimberley.

Dave Prinn and Friends , Saturday February 16, 2013, 7:30 pm at BJ’s Creekside Pub, Kimberley.

I hope it isn’t a well kept secret for it shouldn’t be. Since moving to the area about two years ago Shannon and Kirt Schiller have made a determine effort to provide a venue for the musicians of the area. So, for the winter months live music is on the agenda for most Saturday nights. Open Mic sessions are held on the first Saturday of each month and often on the remaining Saturdays any number of local musicians or bands can be heard doing their thing. The food is great, the venue is cosy, the atmosphere friendly and on any given performance night there can be some surprising performances. Both of the above evenings pretty well drew on the same core cadres of local musicians in what were both essentially nights of acoustic music. Jon Bisset is a well know local musician and he hosted an evening that included performances by Rod Wilson (cittern, 12 string guitar and mandolin), Beth Crawley (vocals and guitar), Dave Prinn (vocals and guitar )and Bill Renwick (blues harp, vocals and guitar). On the second Saturday evening Dave Prinn returned with some additional invited musicians that included, Paige Lennox (banjo and vocals), Heather Gemmell (vocals, guitar and dobro), Janice Nicli, (bass), Cosima Wells (vocals and guitar). Although classic folk/rock was the staple for the evening there was some fine blue grass from the ladies. The name of the all girl bluegrass band is still in flux – some suggestions included THE CONTRACTIONS or BOB (The Bells of Bluegrass) plus a few others that were bandied about throughout the evening. The venue proved to be a wonderful sonic environment for the ladies. Amplification was minimal the instruments and and the vocal harmonies came across pure and unsullied by extraneous noise. The band was solid with Heather Gemmell sounding wonderful on a borrowed vintage Regal Resophonic guitar. Dave Prinn was on top of his game with a selection of classic rock tunes that included No Souvenirs, Let it Rain, Broadway, Vincent Black Lightning, Wake Up Little Suzie, James Kellaghan’s classic Cold Missouri Waters, the folk song Springhill Mining Disaster and what must be the definitive version of Neil Young’s Old Man. When I got home I went back to the original Neil Young recording and to these ears Dave’s version is way better. Dave also threw his share of original songs into the evening’s performance with Circles and You Better Think Twice. He must have forgot his City in the Grass, another one of his fine originals. Heather Gemmell on vocals and Dobro joined Dave for Angels From Montgomery, Can’t Find My Way Home, Whiskey Lullabye, The Weight and a number of other songs. Bill Renwick (guitar, vocals and blues harp) stepped up to stage for some duets with Dave that included James Taylor’s SteamRoller Blues, Me and Bobbie McGee, On the Road Again, Ahead by a Century , Hollywood Nights and the ultimate rocking hot car song 455 Rocket. Bill stayed on stage to do some sol pieces that included Danny Boy (after all it was Saint Patrick`s Day). Now, I must say Danny Boy is one of my least favorite songs but Bill had the right vocal intonation and phrasing to breath new life into what can be an over sentimental over done song. All was forgiven when Bill breathed new life into that old war horse. The night was not only rock roll. The `BlueGrass Ladies` (Heather, Paige, Janice and Cosima) breathed some especially fine acoustic vibes into the evening with a selection that included I Have Endured, You are my Sunshine and an original tune from Cosima called Trying to get Blood from a Stone. Here are some images from both Saturday night`s of very special music.

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MISS QUINCY at the Byng

Posted on 2013-03-14 by Rod Wilson

MISS QUINCY at the Byng Roadhouse, Wednesday March 6, 2013, 8pm. Heather Gemmell and the Peaks opened for Miss Quincy.

I have an aversion to loud drummers and, for me, the drummer for Miss Quincy was too loud. As a result any review by me of Miss Quincy will lack objectivity. On the other hand Brian Noer of the The Peaks is into really, really loud music so he is right at home in reviewing Miss Quicy. To use his words – “I love hearing music that wouldn’t be out of place in a Tarantino or David Lynch film set in some sleazy, smoky bar in a small town in Mexico, with slow droning, reverb drenched guitars, a walking bass, sultry vocals and plenty of tequila shots. I thought Miss Quincy pulled off the vibe they were going for, and I bought one of their CDs. My barometer for what kind of music captures the attention of “normal” people (as opposed to opinionated musicians like me) is women and children. Once in a while, I’ll put on a CD and someone in my family will ask me who that is (it doesn’t happen too often given the heavier music that I prefer). I was playing the Miss Quincy CD in my studio the other day and my wife poked her head in and said, “Wow, I like that; who is it?” Maybe she was just happy I wasn’t playing Slayer. Never-the-less as a barometer I think it works”.

The opening act of the evening was Heather Gemmell and The Peaks (Heather – guitars and vocals , Podier Atto – drums and Brian Noer – bass) and they were at the top of their game on Wednesday night. So much so I think they upstaged the headliners (Miss Quincy). Heather’s choice of solid body guitars sounded great and the little bit of slide guitar towards the end of their set was the icing on the cake. Podier Atto abandoned his “rubber” electronic drum kit (Ferdy’s words) and made use of Miss Quincy’s acoustic set. He had the right amount of volume, sizzle and sparkle on the acoustic set and there is no doubt metal cymbals have a bit more “zing” than their electronic cousins. Brian Noer did not look as cute as the “dreaded” girl on the upright bass in Miss Quincy’s band but then again we were not there for his looks. Brian, in his own defence said “we have yet to see him in his little black dress” . Now that would be worth the price of admission.

– Rod Wilson and Brian Noer.

More images from the evening (click on the images for a larger view):

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Apre Ski at the Stemwinder

Posted on 2013-03-06 by Rod Wilson

Heather Gemmell (solo) at the Stemwinder Bar and Grill (Kimberley Ski Hill), Saturday & Sunday February 23/24th, 2013, 3-6 pm.

Hether Gemmell is well known on the local music scene for her solo work and performances with her band The Peaks. As always, it is a pleasure to hear her guitar and vocal explorations of original material and a selection of covers. She has a large set list and on Sunday she was worked through her list of favorites as well a long list of the not so familiar. Included were Heart of Gold, Driven, Angel From Montgomery, Sugar man, a very bluesy You are my Sunshine, Hotel California, Love me Do, and the outstanding one up experimental loop piece called Pawn Shop. She reached deep into the bag to pull out one of her very first originals called Slowdown. The song had a great bass line that flowed through out the tune. She continues to resist putting words to that beautiful Tapping Tune where by she explores the percussive potential of the guitar fretboard. As an instrumental it offers an interesting change of pace to her set list. Heather will be back at the Stemwinder later in the month in the continuing Apre Ski musical program at the Stemwinder Bar and Grill.

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Scott Pfeifer (solo) at the Stemwinder Bar and Grill (Kimberley Ski Hill), Saturday & Sunday February 23/24th, 2013, 3-6 pm.

Bruce Cockburn’s Lovers in a Dangerous Time always brings to my mind the marvelous Mel Gibson / Sigourney Weaver / Linda Hunt collaboration in the film The Year of Living Dangerously. Scott Pfeifer revisited The Bare Naked Ladies interpretation of Cockburn’s classic song and, for whatever reason, Scott’s great voice and interpretation took me straight into 1965 and the hot sweaty tropical world of Indonesia during the tumultuous years of President Sukarno’s repressive regime. With the snow outside on the ski hill and the temperature around freezing point that is quite a stretch of the imagination but never-the-less that’s how it worked for me. Although Scott writes his own material, on Sunday he stuck to covers such as Ahead by a Century, On My Own, Pure Narcotic, Caught by the River, Metal Airplanes, Last Dance and How to Disappear Completely (available on YouTube). Like most musicians he has “a real job”. He is an IT consultant in Calgary. He has friends here in Kimberly so it almost a sure thing that he will be back here for more performances in the future.

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60 Hertz at the Stemwinder Bar and Grill (Kimberley Ski Hill), Saturday & Sunday March 9/10th, 2013, 3-6 pm.

“The best band in the land”! There is no such thing of course but why would anybody even think that?. Maybe because 60 Hertz are so dam good. James Neve (guitar & vocals), Rob Young (lead guitar), Marty Musser (drums) and Dave Birch (bass) have played for together for more years than any of them would like to remember.

Some one once asked Vancouver Jazz Pianist Renee Rosnes how come she has done so well on the New York Jazz scene. Her answer was simple and straight forward ” I have the chops, I show up on time and I am a professional”. I guess that could be applied to 60 Hertz. In each of their little instrumental niches each band member has the chops. Added to that the superb writing skills of James Neve, the band’s attention to crafting fine arrangements plus the untold hours of rehearsals and practice and you have a band that is smooth, tight and professional. They are so good I don’t think the average audience misses the fact that the band only plays original material. In most performance environments ‘originality’ is usually a death sentence but not for this band.

The band played for a packed house on Saturday and for a sparser crowd on Sunday. Those Alberta skiers just have to hit the road early and get ready for the new work week. Those left behind had ample opportunity to kick back and enjoy some of the 60 Hertz repertoire that include Leave a Candle by the Window, Goodbye, I Will Cry for You, Desperate Train, Doors of Hope (with its nice rhythm change in the coda), Virtuality (one of my favorites), Too Old to Die Young, Don’t Get Me Wrong and Living in the Sun with some of Marty’s deft deft percussion work with mallets.

Here are some images from another rotten day in paradise (the East Kootenays).

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