Symphony Saga Continues

“IT AIN’T OVER TILL ITS OVER” – Yogi Berra

At the extraordinary meeting of the Symphony Board held May 16th, 2012,  to discuss the possible dissolution of the symphony organization and orchestra it was decided to call for nominations for a new board to address the issues. Nominations were called for and some behind the scenes discussions elicited a number of possible candidates. A week after this meeting Hans Dekker stepped down as the president of the organization.

The meeting of June 6, 2012 at the Knox Presbyterian Church was convened to move forward with the nominations. To ensure that the membership and the candidates fully understood the present situation a brief financial statement was tabled. A thumbnail sketch (my interpretation of the discussion) of the financials indicated the following:

  • $12,000 in the bank
  • $21,000 in additional grants on the way
  • $24,000 liability for the costs of the June “free” concert.
  • There are additional liabilities
  • Probable deficit of around $15,000
  • As a cost cutting measure the General Manager position of the Symphony will be  terminated.

The following new board members were nominated, seconded and accepted

  • Laurel Ralston
  • Michael Grossman
  • Lorraine Butler
  • Terry Lynn Jeffers
  • Aura Pon (Calgary)
  • Ian Adams
  • Steen Jorgenson
  • Ruth Sawatsky
  • Shirley Hansen
  • Sven Heyde
  • Patrick Hederly (?)
  • Rob MacDonald
  • Karen Clark (Secretary)

Following discussion of the proposed June 22, 2012 concert at the St. Eugene Mission resort the meeting was adjourned. Following the general meeting the new board convened to elect officers and presumably discuss strategies to deal with the situation.

Now comes the personal commentary and opinion. For some idea of the complexity of organizing a symphony season go to the Journalism tab of this blog and look at the article that was printed in the Townsman in October 2010. The resignation of Hans Dekker as president was noted in this meeting but no vote of thanks or appreciation of his efforts were tabled. This needs to be addressed. Prior to Hans’ efforts and the newspaper article predicting the demise of the symphony the organization was on the ropes. As near as I can tell board membership immediately prior to the crisis was at minimal levels and membership interest was pretty passive. Following the crisis the attendance at the special emergency meeting was around 60 and those in attendance were passionate in their support of the symphony. The organization needs to formally thank Hans for generating this amount of interest, support and discussion. We may not have like to hear what he had to say but it was very important that it was said before it was too late to act. Having said all that it should be noted that the attendance at this June meeting had slid to around forty. Is that an indicator of how the community truly values the symphony? One can anticipate that once the emotions cool attendances at the general meetings will probably continue to slide.

As I see it the major challenge to face the symphony will be the building of audiences. A substantial increase in audiences will lead to increase funding possibilities, particularly from the corporate sector. Without a very substantial increase in audiences every thing is moot. The continued support of the symphony is an expensive proposition and one can still wonder and question the ethics of such relatively large expenditures of public money for such small audience returns. I think the survival of the symphony as part of a diverse cultural environment is very important. It adds to the attractiveness of the area  that in turn is a factor in recruiting progressive professionals and business interests needed to grow the community.

 

Symphony of the Kootenays

Forgive me but I think the audience may have missed the major thrust of the president’s message at the recent special board meeting of the Symphony of the Kootenays.

It’s not a question of if the appropriate grants have been applied for? or are there untapped sources of money out there?

I think his point (among many) – Is it ethical to take money from whatever sources to subsidise concerts that only attract an audience of 250 people – that’s nearly a $100/head for performances that people have voted with their feet by walking away. I agree with him. At $23,000 per concert I think we could get a much bigger bang for our classical music buck with a different approach. For the cost of one concert you could probably run a full season of creative chamber music. I have been to a significant number of adventurous chamber music concerts over the past few years that have been self produced at an almost insignificant cost by the artists involved. Having said that those concerts, by and large, have also been poorly attended. The exception might be the magnificent SELKIRK TRIO a couple of weeks back. But at least the artist(s) is taking the risk, developing adventurous programming and getting the music out there. I think our energies could be better directed away from the symphony to the artists out there bucking the trends trying to create their own audiences. What we need is a Chamber Music Society to support creative music and the artists who are trying to make a difference. That would be time better spent than trying to refurbished a symphony society.

Second point is that audiences have the ability to hand pick and customise their own entertainment agenda. That is a recent development and one that is going to continue unabated. This is particularly applicable to classical music. For example it is possible to buy the complete Bach catalogue on CD for $150 – that’s 150 CDs , less than a buck a CD. I have actually seen this particular box set on sale for $100. I know people say it’s not the same thing as a live performance and while that may be true I contend that on CD you have access to the great orchestras, great artists, the great interpretations, etc. Over and above that a live performance is a bonus. As the chairperson of Archiv Music recently stated “we are living in a golden era of recorded classical music”. What is available out there is astonishing. The record companies have huge inventories of state of the art recordings accumulated over the past 40 years and they are releasing them at extraordinarily cheap prices. Even iTunes cannot compete with that.

Third point – demographics. The average age of the people in the room that night must be approaching at least 60 or even older. So its not a question of funding it is a question of demographics. People under the age of 40 do not attend classical, jazz or any concerts of seriously creative music. Watering down the programs is not going to change that. The fact of the matter is that people have forgotten how to listen to live music. There is a different ethos involved and it is one that needs to be learned. It is not only creative music that is suffering. It is happening right across the musical spectrum. In Cranbrook there is no longer a public music scene. That disappeared ages ago. Musicians have retreated from public view and live music is a thing for private enjoyment in small gatherings of musicians playing for their peers and friends. In that setting there is some pretty incredible music being played in the area.

An additional point I would like to make is that the spiralling upwards of costs is only just beginning. The cost of transport alone has probably risen by over 30% in the past 5 years and will probably double in the next five. If a touring rock band going from town to town and playing bars is unable to recover costs what chance is there for an orchestra of 15-20 symphony musicians.

As I said at the meeting I think Hans and the board have been incredibly brave to get up and say what needed to be said to an audience that is so emotionally attached to the idea of a symphony orchestra that they didn’t want to hear the unvarnished truth. I don’t think it is a case of grit your teeth, overcome the obstacles and the orchestra will survive. There has been a paradigm shift in just about every aspect of modern life and we need to make appropriate adjustments.

In my opinion, the symphony, maybe, can survive this present storm but it is only a matter of time before the inevitable conclusion is reached. Let’s recognize it and move on.

– Rod Wilson